Admittedly, possession films aren’t really my thing. They tend to be VERY similar to one another and unless there’s something new to the story, you’re pretty much not going to top THE EXORCIST in my opinion. Personally, I’m more of a blood & gore connoisseur. Now that we’ve gotten that out of the way, I’m happy to report that LUCIFERINA is something a little different, and they don’t shy away from the viscera once the movie hits full stride. Allow me to elaborate…

LUCIFERINA is the story of a nun-in-training named Natalia, or Nati (Sofia Del Tuffo). Nati spends her days at a home for teens recovering from drug abuse. She seems very quiet and reserved, but she isn’t your average young woman. Nati has the ability to see people’s auras, sometimes they glow like sunlight while other times they’re black and cloudy. You can probably guess that the black and cloudy auras belong to some pretty unsavory characters. Nati is going about her day like any other, when one of the senior nuns tells her that her parents have been in an accident. Aside from the fact that her mother was killed in this accident, there aren’t any other details to be told. Nati doesn’t seem thrilled to be heading home, but it’s clear she has to.

Upon arriving home, Nati is greeted by her goth sister Angela (Malena Sanchez) and Angela’s human-garbage boyfriend Mauro (Francisco Donovan). Nati intrigues Mauro, specifically her virginity. He makes a few crude comments, and Nati proceeds up the stairs to see her bed-ridden father. He’s bandaged and bloodied and he hasn’t spoken a word since the accident. The room he’s confined to is littered with her mother’s artwork. Her mother’s artwork seems to have a central theme…Every painting is of the triangular uterus variety. The paintings are dark and grim. They seem to get more and more vicious as Nati looks around the room. In fact, more than one of the paintings seem to have been etched in actual human blood. LUCIFERINA is very much a feminine horror film, in terms of themes and imagery. This is just one of many times the audience will be confronted with difficult images like these.

After some brief exposition exposing Angela to be an adopted drug addict, and Mauro to be a near-rapist biker scumbag, we then get to the heart of the story. Angela and some friends are seeking out a shaman deep in the jungle to give them a ayahuasca ritual. It’s a powerful hallucinogenic experience said to cleanse the soul…or in this case…maybe release the evil within. Nati is coerced into joining her sister and the group, but it’s clear that she’s a little curious herself. Nothing has seemed quite right since she’s been home. Everyone acts very strange around Nati, and it seems that the others may need her, and her purity to successfully complete the ritual. Or are these people just some dark vessel to get Nati into the jungle?

Once the gang reaches this deserted church-like structure deep in the jungle, Nati begins to have daydreams of an evil presence. I couldn’t help but compare that presence to Samara Morgan from THE RING, as it appears to be a woman in white with long black hair obscuring her face. Nati ignores these premonitions and they get into the ritual. The drug is dispersed, and it’s time to let the madness begin. Every member of the group begins to writhe and sweat in agony as the drugs take hold. Each person goes on his or her own little vision quest, but Nati’s journey seems very specific. Like, being born in the middle of a satanic ritual specific. It’s gory and pretty fucked up, and that’s just the hallucinations talking. When Nati awakens, she’s thrust into a pretty much full blown EVIL DEAD scenario complete with her newfound friends missing limbs and eyeballs. It seems that maybe not everyone in the group is who they say they are.

As I stated in the intro, I’m typically not wild about possession films but this one was different. I’ve also come to appreciate that the distributor, Artsploitation Films, hasn’t really steered me wrong yet. I like my horror edgy, and LUCIFERINA is definitely that. Not just in terms of gore or sexuality, but in exploring some larger themes about the corruption of family and innocence.

The film is Argentinian, so the sexuality and gore are on full display. Such as showing a masturbating nun in full display before the 15-minute mark. The film is very transgressive in its themes and uses female sexuality as both a source of shame as well as a weapon. It’s almost refreshing in a way to see a repressed female character lash out and use her beauty and sexuality as an instrument of liberation, or even destruction. Especially when the majority of the male characters around her are so reprehensible.

LUCIFERINA isn’t without its flaws, but it does a fairly decent job of steering the viewer away from nitpicking, and more towards the larger thematic elements within. It actually felt like two movies to me, with a clear dividing line at the moment of the shamanic ritual. The film is very heavy on the symbolism (literally), which some viewers may find a little too on the nose. I wasn’t particularly bothered by it, but it was noticeable. The film also shows three specific symbols during both the opening and closing credits, which leads me to believe that LUCIFERINA might be a part of a potential trilogy. It seemed to me like there were some bigger ideas that may become clear if that’s the case. If not, I can only judge what I was presented with and LUCIFERINA is a solid entry into the possession genre, even if it is a little misguided at times.

LUCIFERINA  is available on Blu-ray today and on VOD  on December 4th.

LUCIFERINA is a solid entry into the possession genre, even if it is a little misguided at times.

2 ½  Tombstones out of 5 …

Artsploitation Films to Unleash the Twisted Fairy Tale ‘Snowflake’

We have just learned that our good friends over at Artsploitation Films will be unleashing Adolfo Kolmerer’s Snowflake onto Blu-ray, DVD and VOD this December 4th, and below we have the official artwork, trailer and details. Have you heard about this one? Let us know if you’ll be checking this one out this December? From the […]

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Halloween (2018) Steelbook Blu-ray Now Available for Pre-Order

Although director David Gordon Green’s Halloween – the most successful slasher film in the history of cinema (having just crossed $229 million at the global box office) may still be in theaters, it appears that Universal Pictures have made ready

The post Halloween (2018) Steelbook Blu-ray Now Available for Pre-Order appeared first on HalloweenMovies™ | The Official Halloween Website.

The Return of the Vampire – USA, 1943


‘Man? or Monster? or Both?’

The Return of the Vampire is a 1943 supernatural horror feature film directed by Lew Landers (Terrified; The Boogie Man Will Get You; The Raven) from a screenplay by Griffin Jay (Cry of the Werewolf; The Mummy’s Hand; et al), based on an idea by Kurt Neumann (The Fly). The Sam White produced movie stars Bela Lugosi, Frieda Inescort, Nina Foch and Miles Mander.

Although not a sequel to Lugosi’s 1931 Dracula, this film has been interpreted by some critics and some scholars as an unofficial follow-up with Lugosi’s character renamed because the production was made at Columbia Pictures rather than Universal.

return of the vampire 1944 werewolf

The Return of the Vampire is being released on Blu-ray by Scream Factory on February 19, 2019. Extra features are in progress and will be announced nearer the date.


A voiceover (Miles Mander) announces that ‘the following events are taken from the notes of Professor Walter Saunders of King’s College, Oxford…’

A mist-shrouded cemetery at night: A werewolf (Matt Willis) enters a tomb and tells his vampire ‘Master’ that it is time for him to awake. A hand reaches out of the coffin and lifts the lid. A shadow appears on the wall, and the unmistakable voice of Bela Lugosi asks what happened while he was asleep. The werewolf replies that his latest victim has been taken to Dr. Ainsley’s clinic.


Baffled by her patient’s anaemic condition, Lady Jane Ainsley (Frieda Inescort) has called in Professor Walter Saunders (Gilbert Emery). While they are discussing the patient, two children enter. They are Lady Jane’s son, John, and Professor Saunders’ granddaughter, Nikki. Lady Jane and the professor send the children to bed and return to their patient.

The vampire, finding that his victim is not alone, attacks Nikki instead. After the patient dies, Professor Saunders sits up the rest of the night, reading a book on vampires written two hundred years ago by Armand Tesla…

bela lugosi return of the vampire dvdjpg

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“The film is efficiently directed by Lew Landers, complete with the dreamlike rovings of a mobile camera and moody, mist-shrouded set pieces that are second to none. It also benefits greatly from the unwonted topicality of its setting.” Jonathan Rigby, American Gothic

“The best thing about it, apart from the outstanding performances by Inescourt (as a distaff Van Helsing) and Foch (making her debut as the vampire’s chief victim), is the ending in which the werewolf, tired of being in thrall to the vampire, drags him into the sun as he sleeps. The last shot of Lugosi’s face melting (actually a wax mould over a skeleton) was cut by the censor in Britain.” The Aurum Film Encyclopedia: Horror


“Bela Lugosi’s Armand Tesla is a far cry from the smooth and well-mannered Count Dracula, who smarmed his way into society. In his final serious outing as a vampire, Lugosi gives us a grouchy and bad-tempered bloodsucker, exhibiting little of the charisma traditionally associated with the role.” And You Call Yourself a Scientist!

” …contains everything that makes classic horror films so special. It’s brimming with atmosphere in the form of foggy graveyards and decaying crypts, with Lugosi’s vampiric presence being the highlight of the show. As the speech-gifted werewolf, Matt Willis (who in human form resembles a bloated Buster Crabbe) is fun to watch and is given much screen time…” George R. Reis, DVD Drive-In


“It almost ODs on atmosphere (that low-lying ground fog is everywhere, including indoors at times) and the surprises are few, but there is plenty of energy and fun in the proceedings, with even the comic relief being sharper than usual. Though I wouldn’t call it a great movie, it is a lot of fun…” Dave Sindelar, Fantastic Movie Musings and Ramblings

“As a film, it certainly coasts a bit on the novelty of seeing Lugosi back in the cape, but, in hindsight, it sort of sadly encapsulates how stagnated his career had become. Once a huge star, here he is clutching to past glories in a film content to do faintly echo the better films that preceded it. The Return of the Vampire is certainly not a bad film, merely one that feels a bit perfunctory in many ways.” Brett Gallman, Oh, the Horror!

“Lady Jane Ainsley is an atypically strong female character for horror movies of the time, which makes this more interesting than it might be otherwise, and Inescort does a fine job with the role, offering it both strength and charisma. She’s basically the lead protagonist in the picture…” Ian Jane, Rock! Shock! Pop!

“Lugosi proved he still had it when portraying this kind of Eastern European supernatural threat, and if he wasn’t onscreen quite as much as you might have liked, he did get star billing and made his scenes, er, count. With creeping fog and graveyards featuring prominently, it was cliché all the way as far as the visuals went, but had a nice line in high-falutin’ dialogue well delivered by a solid cast.” Graeme Clark, The Spinning Image


Buy DVD:

“Inescort’s got good scenes with both Gilbert Emery and Miles Mander and Nina Foch seems like she’s a better actor than her part. The direction’s actually half good, usually going bad after a really good shot, but it’s probably better direction than most of the Universal monster movies of the era.” The Stop Button

…crude but fun – if you can accept cornball premises and a corny fog swirling around the vampire as he attacks his victims.” John Stanley, Creature Features

“The revenge orientated plot is too humdrum to give anyone a chance, apart from the conceit of a werewolf servant for Lugosi.” Alan Frank, The Horror Film Handbook

Cast and characters:

  • Bela Lugosi … Armand Tesla / Dr. Hugo Bruckner
  • Frieda Inescort … Lady Jane Ainsley – The Alligator People
  • Nina Foch … Nicki Saunders – Jennifer; Cry of the Werewolf
  • Roland Varno … John Ainsley
  • Miles Mander … Sir Frederick Fleet
  • Matt Willis … Andreas Obry
  • Ottola Nesmith … Elsa Walter – Governess
  • Gilbert Emery … Dr. Walter Saunders
  • Leslie Denison … Detective Lynch
  • William Austin … Detective Gannett
  • Jeanne Bates … Miss Norcutt (uncredited)
  • Billy Bevan … Horace – Civil Defence Worker (uncredited)
  • Sydney Chatton … Peters – Desk Clerk (uncredited)
  • Sherlee Collier … Nicki as a child (uncredited)
  • Frank Dawson … Old Man (uncredited)
  • Harold De Becker … Horace’s Friend – Civil Defence worker #2 (uncredited)
  • Donald Dewar … John as a Child (uncredited)
  • Jean Fenwick … Girl on Street (uncredited)
  • Olaf Hytten … Ben – Lady Jane’s Butler (uncredited)
  • Nelson Leigh … Sir Frederick’s Office Assistant (uncredited)
  • Stanley Logan … Col. Mosley (uncredited)
  • Audrey Manners … Nurse (uncredited)
  • George McKay … Cemetery Caretaker (uncredited)
  • Marianne Mosner … Nurse (uncredited)
  • Clara Reid … Old Woman (uncredited)






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VALENTINE Breaks Hearts on Blu-ray via Scream Factory This February

Happy Valentine’s Day!

Scream Factory has just announced that they will be bringing director Jamie Blanks’ (Urban Legend) slasher flick Valentine to Collector’s Edition Blu-ray this February.

This is being planned as a Collector’s Edition that will come with a slipcover in its first three months of release. The fantastic new key art (to the right) is from artist Devon Whitehead (Trick r Treat, Sleepwalkers). Extras and specs are in progress and will be announced at a later date.

Valentine breaks hearts on Collector’s Edition Blu-ray via Scream Factory on February 12th. Pre-order links will be going up throughout next month.


Love is in the air. On the most romantic day of the year, would-be lovers woo hearts with flowers, candy, cards and gifts. Best friends Kate (Marley Shelton), Paige (Denise Richards), Dorothy (Jessica Capshaw), Lily, and Shelly (Katherine Heigl) are young women looking for a relationship — a valentine to die for. And this year they might just get their wish.

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Arrow’s ‘Twelve Monkeys’ Blu-Ray is a Technical Dive Into One of Gilliam’s Best


Never has a film made the realization more clear that there is indeed a ‘Key’ in ‘Monkey’ as Terry Gilliam’s Twelve Monkeys did. The psychological, time travel, mind fuck is Gilliam at the top of his game and is simultaneously one of his most mainstream accepted films. The folks over at Arrow have gone back […]

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Bring The Crazy Evil Home With ‘Mandy’ On Blu-Ray/DVD

One of this year’s best genre movies hits blu-ray and DVD today as the cinemadness that is Mandy is unleashed. Perhaps my favorite movie of the year, Mandy had a limited but high-demand theatrical release starting last month before hitting digital and VOD, and at long last for collectors and physical media fans, the blu-ray/DVD is out and […]

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When a Stranger Calls – USA, 1979

when a stranger calls 3

When a Stranger Calls is a 1979 psychological horror feature film directed by Fred Walton from a screenplay written with co-producer Steve Feke. The movie stars Carol Kane, Charles Durning, Colleen Dewhurst and Tony Beckley.

A massive success at the US box office, taking $21,411,158, the movie was followed by the 1993 made-for-television sequel When a Stranger Calls Back and a remake in 2006.

High school student Jill Johnson is traumatised over an evening of babysitting by a caller who repeatedly asks, “Have you checked the children lately?” After notifying the police, Jill is told that the calls are coming from inside the house…

when a stranger calls 2

When a Stranger Calls is essentially an expanded remake of Fred Walton’s $12,000 short film The Sitter, which comprised the first 20 minutes of this film. Walton was inspired to turn the short into a feature-length film after the massive success of John Carpenter’s Halloween. The film derives its story from the classic urban legend of “The Babysitter and the Man Upstairs”.

when tony-bleckley

Tony Beckley, who plays Curt Duncan, was terminally ill throughout production. Because of this, he did not at all fit the description of the killer, but Fred Walton declined to replace him. Beckley passed away soon after he finished filming his scenes. The 1993 sequel, When a Stranger Calls Back, was dedicated to his memory.

On December 3, 2018, Second Sight is issuing the film in the UK on Blu-ray as a Special Edition.

Buy Blu-ray:

  • Brand new scan and restoration
  • The sequel When a Stranger Calls Back in HD
  • New interview with director Fred Walton
  • New interview with actor Rutanya Alda
  • New interview with composer Dana Kaproff
  • Reversible sleeve with new artwork by Obviously Creative and original poster artwork
  • English subtitles for the hearing impaired for both films
  • Original Soundtrack CD
  • 40 page perfect bound booklet with new essay by Kevin Lyons
  • Reversible poster with new and original artwork
  • Rigid slipcase packaging


“I admire Walton for not having relied solely on cheap scare tactics to carry the day, and for having the courage to attempt something on the order of a character-oriented thriller, even though he does allow the story to give way to some contrivances along the way.” Jack Sommersby, Monsters at Play

“While it is occasionally effective, When a Stranger Calls is also a somewhat listless film. Fred Walton strains for atmosphere and tension but the story hangs in a vacuum – the characters are virtual enigmas about which we are told almost nothing, and the exchanges of dialogue are banal. It is only Dana Kaproff’s excellent score that gives the film any atmosphere, creating a great deal of menace and tension in all the right places.” Richard Scheib, Moria

“Filmmaker Fred Walton does an absolutely superb job ratcheting up the tension during When a Stranger Calls‘ almost flawlessly executed first act, and it’s clear, too, that Kane’s utterly affable performance plays a key role in the movie’s early success. It’s equally obvious, however, that the film’s hold on the viewer dwindles considerably once that opening stretch concludes…” David Nusair, Reel Film Reviews

“Long before Drew Barrymore inadvertently answered her cell, poor Jill found herself in an increasingly demoralizing pickle. In truth, Walton’s film belonged more to the thriller genre than slasher and could not possibly expect to maintain the high levels of apprehension it delivered so effectively in its prologue. What an icebreaker though!” Rivers of Grue

“After the initial opening sequence when the film shifts to the escaped lunatic seven years later, the overall tone of the film also changes drastically from a tense and unbearable horror film to a slow, seedy dramatic thriller almost akin to the depressing character study of Taxi Driver. Quite unexpected, this change doesn’t really work for the film as a whole and these two sections feel like separate films with different agendas.” Tyler Baptist, Sound on Sight

“Quirky actress Carol Kane is very good as the young babysitter at the beginning of the film and as the older near-victim during the last half hour. A terrific opening and ending – and a watchable middle involving the search for the killer – make When a Stranger Calls a must see.” The Terror Trap

“In the ’79 film, the mid-section is pitifully dull. There’s a brief catch-up on the case when the cops learn Duncan has skipped the asylum and then largely nothing happens for about an hour. What differentiates When a Stranger Calls from the other slasher films of the era is that we get to know Curt Duncan a little.” Vegan Voorhees

“While flawed and overlong, When a Stranger Calls ’79 is still a solid enough movie for genre fans that like their slasher flicks more on the respectable side.” Mitch Lovell, The Video Vacuum

Cast and characters:

  • Carol Kane … Jill Johnson – Ghost Light; Ava’s Possessions
  • Rutanya Alda … Mrs. Mandrakis – Amityville 3-D
  • Carmen Argenziano … Dr. Mandrakis
  • Kirsten Larkin … Nancy
  • Bill Boyett … Sgt. Sacker
  • Charles Durning … John Clifford – Dark Night of the Scarecrow
  • Ron O’Neal … Lt. Charlie Garber
  • Heetu Heetu … Houseboy
  • Rachel Roberts … Dr. Monk
  • Tony Beckley … Curt Duncan
  • Colleen Dewhurst … Tracy
  • Michael Champion … Bill
  • Joe Reale … Bartender
  • Ed Wright … Retired Man
  • Louise Wright … Retired Woman


when 2

whe a stranger calls 1



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Black Christmas (1974)

When a Stranger Calls (2006)

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I Sell the Dead – USA, 2008

I sell the dead

‘Never trust a corpse’

I Sell the Dead is a 2008 American comedy horror feature film about grave-robbing written, edited and directed by Irish-born Glenn McQuaid (V/H/S). The Glass Eye Pix movie stars Dominic Monaghan, Ron Perlman, Larry Fessenden and Angus Scrimm.

I sell the dead 2


18th century justice has finally caught up with grave robbers Arthur Blake and Willie Grimes. With the spectre of the guillotine looming over him, young Blake confides in visiting clergyman Father Duffy, recounting fifteen years of adventure in the resurrection trade.

Blake’s tale leads from humble beginnings as a young boy stealing trinkets from corpses, to a partnership with seasoned ghoul Willie Grimes as they hunt creatures unwilling to accept their place in the ground…

I sell the dead 5


I Sell the Dead is not only one of the few horror comedies to really work, but also a fittingly tongue in cheek Hammer tribute. McQuaid shows himself to be a genuine genre talent, and it is rewarding indeed to see a director really put effort into recreating, rather than simply referencing some of the classics of old.” James Mudge, Beyond

“The gothic horror film has become somewhat of a lost art, so it’s nice to see someone trying to resurrect it (so to speak). And while McQuaid pays homage to the classic movies with his shrouded moors and grave-robbers, the movie simply falls short.” Mike Long, DVD Sleuth

I sell the dead blu

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“If I have one criticism of the film it’s that I wished the two, when tussling with the undead, had a few more action scenes, but I assume that budget limitations killed the chances of this happening. This tale of buddy body-snatching is warm and witty and deserves high praise…” Darren Amner, Eye for Film

“As it stands, this delightful bit of gallows humor has its high points. It also suffers from occasional stumbles. Still, in a genre that sees more misfires than masterworks, I Sell the Dead is an excellent minor example of the latter. While it could have possibly been better, fans know it could be a whole helluva lot worse.” Bill Gibron, Pop Matters

“As far as the horror elements of the story are concerned they are centered around some of the stronger comedic moments of the film and do provide the bigger laughs. And there were some great laugh loud moments […] But I Sell the Dead is not without strong horror scenes and a good amount of blood letting.” Andrew Mack, Screen Anarchy


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“You’ve basically got it all here. There’s genuine scares and genuine laughs. The makeup work on the monsters is quite impressive and frightening, and there’s even some bits of zombie gore to enjoy. The script is smart and clever, and filled with intentional anachronisms that only serve to make the film more unique than it already is.” B-Sol, The Vault of Horror

“First-time director Glenn McQuaid is especially enthusiastic about the duo’s rivals (a Burton-esque family of rogues dubbed “The House of Murphy”), but the editing rushes through the best bits and trips up Arthur and Willie’s partnership. Supporting hobbit turned Lost axiom Monaghan is too reserved anyway, and even Fessenden holds back from hork-in-yer-top-hat unsavoriness.” Nicolas Rapold, The Village Voice

Cast and characters:

  • Dominic Monaghan … Arthur Blake
  • Larry Fessenden … Willy Grimes – Wendigo; Beneath; et al
  • Angus Scrimm … Dr. Quint – Phantasm franchise
  • Ron Perlman … Father Duffy – Season of the Witch; Pacific RimHellboy and Hellboy 2; Cronos
  • Brenda Cooney … Fanny Briers
  • John Speredakos … Cornelius Murphy
  • Daniel Manche … Young Arthur
  • Eileen Colgan … Maisey O’Connell
  • James Godwin … Old Man
  • Joel Marsh Garland … Ronnie
  • Aidan Redmond … Jack Flood
  • Alisdair Stewart … Bulger
  • Heather Bullock … Valentine Kelly
  • Chris Shaw … Executioner
  • Martin Pfefferkorn … Howling Man

Technical details:

85 minutes | 2.35:1

Filming locations:

Staten Island and East Village, New York


The Unsubtle Art of Body Snatching – article

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Full Details for Scream Factory’s 4-Disc ‘Critters Collection’

The Crites are back and this time Scream Factory are unleashing the little creatures onto Blu-ray and we have all the details pertaining to the release. Is Critters a favorite of yours, what about the sequels? Let us know if you’ll be taking the plunge and adding this one to your collections. As per Scream […]

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